The Modernist Review #32: Book History & Networks

2 August 2021

Have you experienced the joy of returning to your favourite bookshop yet? Flicking through pages to decide what to choose, asking a bookseller for a recommendation, with the smell of paper and possibly the clink of teaspoons and the whir of a coffee machine from the cafe at the back. Maybe you listened to ‘coffee shop sound effects’ on YouTube while you read during lockdown – a lot of that reading was probably on a screen, as librarians (our unsung heroes) rushed to provide eBooks, and publishers limited review copies to digital rather than print. It’s been a strange year for books, and it’s made us here at the Modernist Review leaf back through the pages of book history to a century ago, and think deeply about the networks in which we read and exchange books.  Continue reading “The Modernist Review #32: Book History & Networks”

Book Review: The Modern Short Story and Magazine Culture

2 August 2021

Yen-Chi Wu, Academia Sinica

Elke D’hoker and Chris Mourant, eds. The Modern Short Story and Magazine Culture, 1880-1950. (Edinburgh: Edinburgh University Press, 2021)

In their seminal essay that charts out the agenda of the New Modernist Studies, Douglas Mao and Rebecca L. Walkowitz highlight the idea of expansion. To conceive of a new understanding of modernism, they contend, we need to expand the conventional narratives surrounding modernism in three dimensions: temporal, spatial, and cultural latitude. Expanding the cultural latitude of modernism invites us to revisit ‘the battle of the brows’, which sparked lively debates on literary tastes, artistic styles, and social class in the early twentieth century. During this period, little magazines that championed avant-garde arts vied for attention with middlebrow and illustrated popular magazines. To that end, periodical studies proves to be a vibrant field in which to examine the complex and dynamic exchange between modernist writing, commercial interest, and popular literature. A growing scholarship has emerged in this field; Elke D’hoker and Chris Mourant’s edited collection, The Modern Short Story and Magazine Culture, 1880-1950, is the latest addition. The collection’s unique contribution lies in its focus on the short story form in the periodical context. The book teases out the complex ways in which editorial philosophies, evolving gender politics, the two world wars, and debates on literary tastes influenced the thematic concerns and artistic expressions of the short story form.  Continue reading “Book Review: The Modern Short Story and Magazine Culture”

Book Review: Modernism and Modernity in British Women’s Magazines

1 June 2021

Jennifer Cameron, University of Hertfordshire

Alice Wood, Modernism and Modernity in British Women’s Magazines (Abingdon: Routledge, 2020)

This book is an original study of the connections between British print culture and the modernist movement during the interwar years. Wood, a senior lecturer in English at De Montfort University, chooses to focus on four British women’s periodicals of the time, namely Vogue, Eve / Eve: The Lady’s Pictorial, Good Housekeeping, and Harper’s Bazaar. With this book, her second monograph, Wood continues her previously published research into interwar women’s magazines and literary culture. Continue reading “Book Review: Modernism and Modernity in British Women’s Magazines”

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