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The Modernist Review #31: Visual Cultures

1 July 2021

In Jean Rhys’s 1927 short story, ‘Mannequin’, we open to the scene of Anna trying to find her way to the lunch room, dressed in the ‘chemise-like garment of the mannequin off duty’.[1] On the cusp between a state of dress and undress, between human individuality and thingness, clocked-on objectification and clocked-off satiation of hunger, Anna and the other mannequins represent a crossroads of modernist preoccupations with visual culture. Rhys traverses the bridge between mannequin as human model and mannequin as static window-dressing with Parisian grace, grappling with the tension between stillness and movement that embodies the ways of seeing and being seen in modernist artforms. In this Benjaminian age of mechanical reproduction, where does the agency lie in visual forms of representation? Continue reading “The Modernist Review #31: Visual Cultures”

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